Bach Bibliography Search Result

Series : ^[p]IMS_Leuven$
Year : 2002
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Kiralina, Juzhak	Von der frühesten Version des Wohltemperierten Klaviers Bachs zum Bewusstwerden der Fuge als Allzweckform. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	2.	Spitzer, Michael	Mediating conceptual metaphor and poetics: how to hear imagery in Bach. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	3.	Synofzik, Thomas	Inventio and aemulatio: The Two-Part Inventions of Bach's Pupil Heinrich Nicolaus Gerber. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	4.	Tomita, Yo; Fujinami, Tsutomu	Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	5.	Kerman, Joseph	Deconstructing a Bach fugue. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	6.	Ferris, David	'Welcher Fantast ich war': C.P.E. Bach's composed improvisations. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	7.	Szabó-Knotik, Cornelia	Globalizing Bach: classical music, commerce, the media, and blind ownership. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	8.	Hennion, Antoine	Ecouter, c'est refaire ce qu'on écoute: comment musiciens, critiques, amateurs et public ont créé leur Bach, en France au XIXe siècle? [Listening as performance: how musicians, critics, amateurs and the public produced their Bach in 19th-century France] A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	9.	Yu, Zhi-Gang	Bach Studies in China. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	10.	Berg, Darrell M.	C.P.E. Bach's Solo keyboard works in the Berlin Sing-Akademie. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	11.	Wollny, Peter	C.P.E. Bach's instrumental ensemble music. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	12.	Wolff, Christoph	C.P.E. Bach's Polyhymnia -- An unpublished song collection of the 1770s. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	13.	Corneilson, Paul	C.P.E. Bach's 'Heilig' in various contexts. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	14.	Leisinger, Ulrich	Compositional procedures in C.P.E. Bach's Hamburg passions. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	15.	Johnson, Peter; Hong, Ju-Lee	Expressive intonation in cello performance: Bach's C major Sarabande BWV 1009. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	16.	Allen-Russell, Ann van	A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002
	17.	Wuidar, Laurence	Genres musical et littéraire en miroir: canons-devises et emblèmes. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.	[p]IMS_Leuven			Aug 2002